3-D PRINTING PENS
Doodling on Another Dimension

  By Ben Rubin   4.29.13


Wobble Works out of Boston, MA introduces a game-changer with their 3-D printing pen.  It's true that you might not see one of these in a store any time soon, but considering the 2.3 Million dollar margin they crushed their $30,000 goal on Kickstarter by, it is a good guess that these things are well on their way.


Dimensions within the Creative Process
Sculptors, architects, and even filmmakers traditionally begin their creative journey by documenting in 2-D.  Sketches and photos are versatile, accessible, and inexpensive - but in the end they are often used to convey concepts that are meant to live in a 3 or 4 dimensional world.  And what if you want to skip 2-D altogether?  While sketching in 3-D can technically be accomplished with string or wire, the process of contorting an existing line is really different than creating a line from scratch.

Wire sketch of an alien invasion.  
Made by yours truly. Maruata, Mexico. 2007.

I'm a Big Fan
For several years, I worked in a metal shop doing residential and industrial iron work, and found myself collecting scraps from jobs to create sculptures.  I also got to play around with the shop's MIG welder and make wire people when no one was looking.  MIGs work in many ways like the above mentioned 3-D pen, but use metal wire instead of plastic strips.  Drawing with the MIG worked pretty well for simple stuff, but could turn into a (seriously) hot mess if you tried to get fancy.  The biggest difference with a 3-D printing pen (aside from the price tag) is the facility of the thing: no safety gloves, no electrical ground issues, no tank of shielding gas, and best of all you can hold this thing intuitively like a pen (even if it is quite the chubby pen).  

For All the Doodlers Out There
check out their website: http://www.the3doodler.com/

ILLUSTRATED VIDEO NOTES
Integrating Real-Time Visual Mapping with Video

  By Ben Rubin   8.2.11


In the Summer of 2011, I worked on a series of experiments testing different ways to integrate real-time visual mapping with video.


A Media Crossroads
More than the novelty of the combination, I was interested in how illustrated notes and video could be applied to promote accessibility.  The videos below are of Summer 'Lightning Talks', or abbreviated public presentations given by students at the Rochester Institute of Technology discussing their summer research.  I set up a camera to record the events along with the ASL interpreter (when present).  You can see me taking notes in the bottom corner of the video using a Livescribe digital pen.  The video documents become a crossroads between all the different mediums, converging to tell the story of the researchers and their work.  On the left half of the screen are my notes, which are cued to the video.  Rather than a summary of all the information, the notes are intended to act as bookmarks to the presentation.

Feel free to scan through the video's timeline to watch the visual map being created, and stop at points of interest.

Below are eleven links to all the Lightning Talk presentations I recorded during that summer, the first being from myself as a brief explanation the project:
EDGETABLE USE-CASE ILLUSTRATIONS
Rochester Institute of Technology & The MITRE Corporation

  By Docutopia   4.30.11


In the Spring of 2011, we were approached about illustrating a mock-up for a collaborative project between The Rochester Institute of Technology and MITRE Corporation.  The technology involved a real time tele-collaboration system that combined a video wall with an interactive touch table, and the team was looking for presentation material to convey how the system could be used across several platforms and environments.


After several meetings with MITRE's technology evangelists and RIT's developers, a Docutopia team was created:

Jon Schull - Project Liason
Ben Rubin - Project Manager, Creative Lead
Joanna Eberts - Project Illustrator
Sara Wick - Project Illustrator

Illustration Narrative
We decided on a 3 panel format to sequentially illustrate a dialogue covering all of the main platforms and environments the technology was being pitched for.  The first panel describes a permanent EdgeTable installation with custom integrated hardware inside an office environment.  Their table shows a map with an icon in the shape of a stealth aircraft.  The second panel continues the conversation with a military officer stationed on a base.  He is using a non-permanent installation configured with a mobile projector and laptop, as is the man in the tie on the other end.  Both look over the map with the aircraft icon and we see a route has been labeled.  The last panel shows a marine in the field.  He is using heads-up eyewear technology and a stylus to draw the path of the aircraft icon for the military officer on the other end.  Above the marine, we see the stealth aircraft flying in the distance.